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Rosemarie Trockel
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Rosemarie Trockel : ウィキペディア英語版
Rosemarie Trockel

Rosemarie Trockel (born 13 November 1952) is a German artist and an important figure in international contemporary art. She lives and works in Cologne, and teaches at the Kunstakademie Düsseldorf.
== Early life and career ==
Trockel studied from 1974 to 1978 at the Werkkunstschule, Cologne, which was then heavily influenced by Joseph Beuys.〔Michael Kimmelman (April 28, 1991), (Politics, Laced With a Dollop of Strangeness ) ''New York Times''.〕 In the early 1980s, she came into contact with the Mülheimer Freiheit (1979-1984), a Cologne-based group of painters that included Walter Dahn and Jiří Georg Dokoupil, and she exhibited at the Cologne gallery of Monika Sprüth, who at that time showed only women artists.〔(Rosemarie Trockel ) Tate, London.〕 In a German art scene dominated by male stars like Beuys, Anselm Kiefer, Sigmar Polke, Gerhard Richter, and Georg Baselitz, her subversive leanings soon pegged her as an enfant terrible. She addressed issues of sexuality, feminism, and the human body, and also questioned the hierarchy of systems: political, social, and even aesthetic.〔Grace Glueck (March 23, 2001), (Drawings as Enigmas Wrapped in Metaphors ) ''New York Times''.〕

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